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Related: Editorials & Other Articles, Issue Forums, Alliance Forums, Region ForumsA rather enjoyable article about classical music in the Washington Post
https://www.washingtonpost.com/entertainment/music/a-beginners-guide-to-enjoying-classic-music-no-snobs-allowed/2018/08/10/ca5e2c5c-998e-11e8-8d5e-c6c594024954_story.html?utm_term=.966912dc3c19elleng
(130,940 posts)Roland99
(53,342 posts)GeoWilliam750
(2,522 posts)"A beginners guide to enjoying classic music. No snobs allowed"
"Classical music aficionados: Go away. This article is not for you. Instead, it is for everyone who sees classical music as a private club and who feels theyre standing outside the clubhouse. Its for those who have been to one or two orchestral concerts but are still not quite sure what theyre supposed to be getting out of the experience. Its for those who like the sound of a few classical pieces but want to move beyond Mozarts A Little Night Music and Beethovens Fifth Symphony and the flower duet from Lakme trust me, youve heard it; look it up and take a deeper dive into the repertoire. But concert programs list unfamiliar names, without much guidance into how to choose between them, and when you type Mozart into Spotify you get a wall of tracks, many of them different versions of the same thing. For anyone who relates to any part of this description, heres a field guide with a few points to keep in mind as you exercise your classical muscles and seek out which territory, in this wide-ranging field, feels most like home.
1. Classical music offers something on a large scale. Not many art forms offer you something as big as an orchestra concert: 100 people playing pieces that can last half an hour or more. These pieces offer an experience of time you dont get in many other art forms; music that starts in one place and finishes in another, bathing your ears in big sounds along the way. To start with, just try identifying some of the different things you hear."
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"2. Theres a lot more to classical music than orchestra music. Dont think youre stuck with orchestras, though, if thats not your thing. The term classical music is an inaccurate catchall for everything from solo piano works to Gregorian chant to contemporary instrumental sextets with electric guitar. For orientation purposes, start with some of the traditional smaller ensembles three or four musicians playing together, classical musics equivalent of a rock band. Most familiar is the string quartet: You can spend hours with canonical works such as Beethovens set of 16 and Shostakovichs of 15, or dive into sets by living composers such as Elena Ruehr and Jefferson Friedman. Then there are trios: string trios, like Mozarts stunning Divertimento in E-flat; or piano trios, written not for three pianos (a common misconception) but for a piano and two stringed instruments. Schuberts two are among my favorites, and I bypass Robert Schumanns in favor of the nice one by his wife,Or check out the instrumental configurations in some of the seminal works of the 20th century: the septet Stravinsky used in Lhistoire du soldat; the quartet of clarinet, violin, cello and piano that Olivier Messiaen used in Quartet for the End of Time, written while he was in a German prisoner-of-war camp in 1940; or Steve Reichs Music for 18 Musicians, which both helps define and explode the term minimalism."
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"3. Classical music is relaxing. I dont actually agree with this statement, but because a solid 75 percent of my friends who arent classical aficionados espouse it, Im going to cede the point and offer you a few options for background music that take you beyond Vivaldi and Mozart. For some time in my 20s, a CD of Erik Saties piano music was the only thing I listened to in the morning: languid and quirky, drifting across the ear and subtly challenging preconceptions about musical form with artless simplicity. More conventional are the once-popular piano works of Cecile Chaminade, another early 20th-century French composer; or Lili Boulangers beautiful Nocturne for Violin and Piano. Youll find different musical timbres and textures in Lou Harrisons Suite for Violin and American Gamelan, premiered in 1974 with percussion instruments built to be an approximation of the original Indonesian percussion ensemble. And to revert to convention for a minute, buy a set of Bachs unaccompanied suites for solo cello, because those are pieces you can return to throughout your life, in a wide range of contexts; and if relaxing is your thing, they can do that for you too."
...and then a few more paragrapghs.
Roland99
(53,342 posts)Hate these new paywalls