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Forget much of what you knew about the breakup of the Beatles...
https://amp.theguardian.com/music/2019/sep/11/the-beatles-break-up-mark-lewisohn-abbey-road-hornsey-road
‘This tape rewrites everything we knew about the Beatles’
Mark Lewisohn knows the Fab Four better than they knew themselves. The expert’s tapes of their tense final meetings shed new light on Abbey Road – and inspired a new stage show
Richard Williams
Wed 11 Sep 2019 01.00 EDT
The Beatles weren’t a group much given to squabbling, says Mark Lewisohn, who probably knows more about them than they knew about themselves. But then he plays me the tape of a meeting held 50 years ago this month – on 8 September 1969 – containing a disagreement that sheds new light on their breakup.
They’ve wrapped up the recording of Abbey Road, which would turn out to be their last studio album, and are awaiting its release in two weeks’ time. Ringo Starr is in hospital, undergoing tests for an intestinal complaint. In his absence, John Lennon, Paul McCartney and George Harrison convene at Apple’s HQ in Savile Row. John has brought a portable tape recorder. He puts it on the table, switches it on and says: “Ringo – you can’t be here, but this is so you can hear what we’re discussing.”
What they talk about is the plan to make another album – and perhaps a single for release in time for Christmas, a commercial strategy going back to the earliest days of Beatlemania. “It’s a revelation,” Lewisohn says. “The books have always told us that they knew Abbey Road was their last album and they wanted to go out on an artistic high. But no – they’re discussing the next album. And you think that John is the one who wanted to break them up but, when you hear this, he isn’t. Doesn’t that rewrite pretty much everything we thought we knew?”
</snip>
‘This tape rewrites everything we knew about the Beatles’
Mark Lewisohn knows the Fab Four better than they knew themselves. The expert’s tapes of their tense final meetings shed new light on Abbey Road – and inspired a new stage show
Richard Williams
Wed 11 Sep 2019 01.00 EDT
The Beatles weren’t a group much given to squabbling, says Mark Lewisohn, who probably knows more about them than they knew about themselves. But then he plays me the tape of a meeting held 50 years ago this month – on 8 September 1969 – containing a disagreement that sheds new light on their breakup.
They’ve wrapped up the recording of Abbey Road, which would turn out to be their last studio album, and are awaiting its release in two weeks’ time. Ringo Starr is in hospital, undergoing tests for an intestinal complaint. In his absence, John Lennon, Paul McCartney and George Harrison convene at Apple’s HQ in Savile Row. John has brought a portable tape recorder. He puts it on the table, switches it on and says: “Ringo – you can’t be here, but this is so you can hear what we’re discussing.”
What they talk about is the plan to make another album – and perhaps a single for release in time for Christmas, a commercial strategy going back to the earliest days of Beatlemania. “It’s a revelation,” Lewisohn says. “The books have always told us that they knew Abbey Road was their last album and they wanted to go out on an artistic high. But no – they’re discussing the next album. And you think that John is the one who wanted to break them up but, when you hear this, he isn’t. Doesn’t that rewrite pretty much everything we thought we knew?”
</snip>
More at link!
35 replies
= new reply since forum marked as read
= new reply since forum marked as read
Mark Lewisohn is THE Beatles authority. Really looking forward to Volume 2 of the definitive biography. He should stop all this play stuff and go home and write! 
https://en.wikipedia.org/wiki/The_Years_of_Lyndon_Johnson
The Years of Lyndon Johnson is a biography of Lyndon B. Johnson by the American writer Robert Caro. Four volumes have been published, running to more than 3,000 pages in total, detailing Johnson's early life, education, and political career. A fifth volume will deal with the bulk of Johnson's presidency. The series is published by Alfred A. Knopf.
Book One: The Path to Power (1982)
In the first volume, The Path to Power, Caro retraced Johnson's early life growing up in the Texas Hill Country and working in Washington, D.C. Caro's research included renting a house in Hill Country for three years, living there much of that time, to interview numerous people who knew Johnson and his family, and to better understand the environment in which Johnson had grown up.
This volume covers Johnson's life through his failed 1941 campaign for the United States Senate. This book was released on November 12, 1982. It won the 1982 National Book Critics Circle Award. It was a finalist for the 1983 National Book Award, hardcover autobiography or biography.
Book Two: Means of Ascent (1990)
In the second volume, Means of Ascent, Caro detailed Johnson's life from the aftermath of Johnson's first bid for the U.S. Senate in 1941 to his election to the Senate in 1948. Much of the book deals with Johnson's bitterly contested Democratic primary against Coke R. Stevenson in that year. The book was released on March 7, 1990.
Book Three: Master of the Senate (2002)
In the third volume, Master of the Senate, Caro chronicles Johnson's rapid ascent in United States Congress, including his tenure as Senate majority leader. This 1,167-page work examines in particular Johnson's battle to pass a landmark civil rights bill through Congress without it tearing apart his party, whose southern bloc was anti-civil rights while the northern faction was more supportive of civil rights. Although its scope was limited, the ensuing Civil Rights Act of 1957 was the first such legislation since the Reconstruction era.
The book was released on April 23, 2002. It won the 2003 Pulitzer Prize for Biography or Autobiography, the 2002 National Book Award for Nonfiction, the 2002 Los Angeles Times Book Prize for Biography, and the 2002 D.B. Hardeman Prize.
Book Four: The Passage of Power (2012)
In the fourth volume, The Passage of Power, Caro covers Johnson's life from 1958 to 1964, the challenges Johnson faced upon his assumption of the presidency, and the significant accomplishments in the months after Kennedy’s assassination.
The 736-page book was released on May 1, 2012. It won the National Book Critics Circle Award (2012; Biography), the Los Angeles Times Book Prize (2012; Biography), the Mark Lynton History Prize (2013), the American History Book Prize (2013) and the Biographers International Organization's Plutarch Award (2013). It was a finalist for the National Book Award for Nonfiction (2012). It was selected as one of Time magazine's Best Books of the Year (non-fiction #2).
Planned book five
In November 2011, Caro estimated that the fifth and final volume would require another two to three years to write. In March 2013, he affirmed a commitment to completing the series with a fifth volume. As of April 2014, he was continuing to research the book. In a televised interview with C-SPAN in May 2017, Caro confirmed over 400 typed pages as being complete, covering the period 1964–65; and that once he completes the section on Johnson's 1965 legislative achievements, he intends to move to Vietnam to continue the writing process.
In an interview with The New York Review of Books in January 2018, Caro said that he was writing about 1965 and 1966 and a non-chronological section about the relationship between Johnson and Bobby Kennedy. Asked if he still planned to visit Vietnam soon, Caro replied: "Not yet, no. This is a very long book. And there's a lot to do before that's necessary. I'm getting close to it now." In December 2018, it was reported that Caro is still "several years from finishing" the volume.
</snip>
The Years of Lyndon Johnson is a biography of Lyndon B. Johnson by the American writer Robert Caro. Four volumes have been published, running to more than 3,000 pages in total, detailing Johnson's early life, education, and political career. A fifth volume will deal with the bulk of Johnson's presidency. The series is published by Alfred A. Knopf.
Book One: The Path to Power (1982)
In the first volume, The Path to Power, Caro retraced Johnson's early life growing up in the Texas Hill Country and working in Washington, D.C. Caro's research included renting a house in Hill Country for three years, living there much of that time, to interview numerous people who knew Johnson and his family, and to better understand the environment in which Johnson had grown up.
This volume covers Johnson's life through his failed 1941 campaign for the United States Senate. This book was released on November 12, 1982. It won the 1982 National Book Critics Circle Award. It was a finalist for the 1983 National Book Award, hardcover autobiography or biography.
Book Two: Means of Ascent (1990)
In the second volume, Means of Ascent, Caro detailed Johnson's life from the aftermath of Johnson's first bid for the U.S. Senate in 1941 to his election to the Senate in 1948. Much of the book deals with Johnson's bitterly contested Democratic primary against Coke R. Stevenson in that year. The book was released on March 7, 1990.
Book Three: Master of the Senate (2002)
In the third volume, Master of the Senate, Caro chronicles Johnson's rapid ascent in United States Congress, including his tenure as Senate majority leader. This 1,167-page work examines in particular Johnson's battle to pass a landmark civil rights bill through Congress without it tearing apart his party, whose southern bloc was anti-civil rights while the northern faction was more supportive of civil rights. Although its scope was limited, the ensuing Civil Rights Act of 1957 was the first such legislation since the Reconstruction era.
The book was released on April 23, 2002. It won the 2003 Pulitzer Prize for Biography or Autobiography, the 2002 National Book Award for Nonfiction, the 2002 Los Angeles Times Book Prize for Biography, and the 2002 D.B. Hardeman Prize.
Book Four: The Passage of Power (2012)
In the fourth volume, The Passage of Power, Caro covers Johnson's life from 1958 to 1964, the challenges Johnson faced upon his assumption of the presidency, and the significant accomplishments in the months after Kennedy’s assassination.
The 736-page book was released on May 1, 2012. It won the National Book Critics Circle Award (2012; Biography), the Los Angeles Times Book Prize (2012; Biography), the Mark Lynton History Prize (2013), the American History Book Prize (2013) and the Biographers International Organization's Plutarch Award (2013). It was a finalist for the National Book Award for Nonfiction (2012). It was selected as one of Time magazine's Best Books of the Year (non-fiction #2).
Planned book five
In November 2011, Caro estimated that the fifth and final volume would require another two to three years to write. In March 2013, he affirmed a commitment to completing the series with a fifth volume. As of April 2014, he was continuing to research the book. In a televised interview with C-SPAN in May 2017, Caro confirmed over 400 typed pages as being complete, covering the period 1964–65; and that once he completes the section on Johnson's 1965 legislative achievements, he intends to move to Vietnam to continue the writing process.
In an interview with The New York Review of Books in January 2018, Caro said that he was writing about 1965 and 1966 and a non-chronological section about the relationship between Johnson and Bobby Kennedy. Asked if he still planned to visit Vietnam soon, Caro replied: "Not yet, no. This is a very long book. And there's a lot to do before that's necessary. I'm getting close to it now." In December 2018, it was reported that Caro is still "several years from finishing" the volume.
</snip>
Mr Caro is 83...
I read it 2x - the first time gave me shit to research; the 2nd time to confirm what I read the 1st time. GREAT biographer!!!!! 
https://en.wikipedia.org/wiki/Allen_Klein
Allen Klein (December 18, 1931 – July 4, 2009) was an American businessman, music publisher, writers' representative and record label executive, most noted for his tough persona and aggressive negotiation tactics, many of which established higher industry standards for compensating recording artists. He founded ABKCO Music & Records Incorporated. Klein revolutionized the income potential of recording artists, who previously had been routinely victimized by onerous record company contracts. He first scored massive monetary and contractual windfalls for Buddy Knox and Jimmy Bowen, one-hit rockabillies of the late 1950s, then parlayed his early successes into a position managing Sam Cooke, and eventually managed the Beatles and the Rolling Stones simultaneously, along with many other artists, becoming one of the most powerful individuals in the music industry during his era.
Rather than offering financial advice and maximizing his clients' income, as a business manager normally would, Klein set up what he called "buy/sell agreements" where a company that Klein owned became an intermediary between his client and the record label, owning the rights to the music, manufacturing the records, selling them to the record label, and paying royalties and cash advances to the client. Although Klein greatly increased his clients' incomes, he also enriched himself, sometimes without his clients' knowledge. (The Rolling Stones's $1.25M advance from the Decca Records label in 1965, for one glaring example, was deposited into a company that Klein had established, and the fine print of the contract did not require Klein to release it for 20 years.) Klein's involvement with both the Beatles and Rolling Stones would lead to years of litigation and, specifically for the Rolling Stones, accusations from the group that Klein had withheld royalty payments, stolen the publishing rights to their songs, and neglected to pay their taxes for five years; this last had necessitated their French "exile" in 1971.
After years of pursuit by the IRS, Klein was convicted of a misdemeanor charge of making a false statement on his 1972 tax return, for which he spent two months of 1980 in jail.
</snip>
Allen Klein (December 18, 1931 – July 4, 2009) was an American businessman, music publisher, writers' representative and record label executive, most noted for his tough persona and aggressive negotiation tactics, many of which established higher industry standards for compensating recording artists. He founded ABKCO Music & Records Incorporated. Klein revolutionized the income potential of recording artists, who previously had been routinely victimized by onerous record company contracts. He first scored massive monetary and contractual windfalls for Buddy Knox and Jimmy Bowen, one-hit rockabillies of the late 1950s, then parlayed his early successes into a position managing Sam Cooke, and eventually managed the Beatles and the Rolling Stones simultaneously, along with many other artists, becoming one of the most powerful individuals in the music industry during his era.
Rather than offering financial advice and maximizing his clients' income, as a business manager normally would, Klein set up what he called "buy/sell agreements" where a company that Klein owned became an intermediary between his client and the record label, owning the rights to the music, manufacturing the records, selling them to the record label, and paying royalties and cash advances to the client. Although Klein greatly increased his clients' incomes, he also enriched himself, sometimes without his clients' knowledge. (The Rolling Stones's $1.25M advance from the Decca Records label in 1965, for one glaring example, was deposited into a company that Klein had established, and the fine print of the contract did not require Klein to release it for 20 years.) Klein's involvement with both the Beatles and Rolling Stones would lead to years of litigation and, specifically for the Rolling Stones, accusations from the group that Klein had withheld royalty payments, stolen the publishing rights to their songs, and neglected to pay their taxes for five years; this last had necessitated their French "exile" in 1971.
After years of pursuit by the IRS, Klein was convicted of a misdemeanor charge of making a false statement on his 1972 tax return, for which he spent two months of 1980 in jail.
</snip>
Not sure who was right on this one...
On edit; I think it's fair to insert the sad story of Badfinger, a band signed to Apple early on:
https://en.wikipedia.org/wiki/Badfinger
Badfinger in 1971, from the cover of their album Straight Up. (L to R: Joey Molland, Tom Evans, Pete Ham, Mike Gibbins)
Badfinger were a Welsh rock band formed in Swansea that were active from the 1960s to the 1980s. Their best-known lineup consisted of Pete Ham, Mike Gibbins, Tom Evans, and Joey Molland. They are recognised for their influence on the 1970s power pop genre.
The band evolved from an earlier group called the Iveys, formed in 1961, which became the first group signed by the Beatles' Apple label in 1968. The band renamed themselves Badfinger, after the working title for the Beatles' 1967 song "With a Little Help from My Friends" ("Bad Finger Boogie" ). From 1968 to 1973, Badfinger recorded five albums for Apple and toured extensively, before they became embroiled in the chaos of Apple Records' dissolution.
Badfinger had four consecutive worldwide hits from 1970 to 1972: "Come and Get It" (written and produced by Paul McCartney, 1970), "No Matter What" (produced by Mal Evans, 1970), "Day After Day" (produced by George Harrison, 1971), and "Baby Blue" (produced by Todd Rundgren, 1972). Their song "Without You" (1970) has been recorded many times, including a US number-one hit for Harry Nilsson, and decades later, a UK number-one for Mariah Carey.
After Apple Records folded in 1973, Badfinger struggled with a host of legal, managerial and financial issues, leading to Ham taking his own life in 1975. Over the next three years, the surviving members struggled to rebuild their personal and professional lives against a backdrop of lawsuits, which tied up the songwriters' royalty payments for years. Their subsequent albums floundered, as Molland and Evans alternated between cooperation and conflict in their attempts to revive and capitalise on the Badfinger legacy. In 1983, Evans also died by suicide.
</snip>
Badfinger in 1971, from the cover of their album Straight Up. (L to R: Joey Molland, Tom Evans, Pete Ham, Mike Gibbins)
Badfinger were a Welsh rock band formed in Swansea that were active from the 1960s to the 1980s. Their best-known lineup consisted of Pete Ham, Mike Gibbins, Tom Evans, and Joey Molland. They are recognised for their influence on the 1970s power pop genre.
The band evolved from an earlier group called the Iveys, formed in 1961, which became the first group signed by the Beatles' Apple label in 1968. The band renamed themselves Badfinger, after the working title for the Beatles' 1967 song "With a Little Help from My Friends" ("Bad Finger Boogie" ). From 1968 to 1973, Badfinger recorded five albums for Apple and toured extensively, before they became embroiled in the chaos of Apple Records' dissolution.
Badfinger had four consecutive worldwide hits from 1970 to 1972: "Come and Get It" (written and produced by Paul McCartney, 1970), "No Matter What" (produced by Mal Evans, 1970), "Day After Day" (produced by George Harrison, 1971), and "Baby Blue" (produced by Todd Rundgren, 1972). Their song "Without You" (1970) has been recorded many times, including a US number-one hit for Harry Nilsson, and decades later, a UK number-one for Mariah Carey.
After Apple Records folded in 1973, Badfinger struggled with a host of legal, managerial and financial issues, leading to Ham taking his own life in 1975. Over the next three years, the surviving members struggled to rebuild their personal and professional lives against a backdrop of lawsuits, which tied up the songwriters' royalty payments for years. Their subsequent albums floundered, as Molland and Evans alternated between cooperation and conflict in their attempts to revive and capitalise on the Badfinger legacy. In 1983, Evans also died by suicide.
</snip>
They'd spoke, hung out just like old friends do. But, everything I've read, they talked about going into the studio and fucking around a bit, to see if they could come up with anything interesting.
Keep in mind the relevant music the Stones and the Who made post-1980.
You're just reiterating what's been written.
Hattip to Google Earth Street View.
I went to one and said to myself, NEVER AGAIN. Just had a 50th reunion, AND, damn right I didn’t go.
I admire Sir Paul a great deal. And I admire Sir Ringo. But Sir Paul's versions of events seem to have been self-serving over the years. Not that he ever needed any puffery of his legacy, which is set in stone. But he has always seemed to attempt to diminish his mate's in the context of Beatles history.
That said, Sir Paul!
RS link: https://www.rollingstone.com/music/music-news/beatles-audio-abbey-road-final-album-882988/ - I haven't read it, just foubd via Google.