Obama Presidential Center Portrait Unveiling
?is=bcgCAs9GcCWvN_j8Apologies if this was posted earlier and I missed it.
It’s worth more than one posting anyhow….😀
= new reply since forum marked as read
The artistry is magnificent! Thank You, she! ☮️💙 
🌻🕯️🕊️
It was great joining Njideka Akunyili Crosby—a gifted Nigerian-born, Los Angeles-based artist—to unveil our first portrait together. This piece reflects so many chapters of Michelle and my story, and we’re thrilled that it will be on display at the Obama Presidential Center starting this Juneteenth.
— Barack Obama (@barackobama.bsky.social) 2026-06-15T21:01:51.276Z
The portrait is magnificent and it captured them both perfectly.
TY, Cha. 
💕☮️💙🌻🕯️🕊️
I had had a diet of too much idiot cage fighter swamp-water, not enough joyous Obama juice today!!
I copied the image and enlarged it, better to see the intricate detail. Just amazing! More about it below.
Inside the First Official Portrait of Barack and Michelle Obama Together
Tradition is not untouchable,” Njideka Akunyili Crosby tells me. “We can own it, we can shape it, we can move it the way we need.” Akunyili Crosby is talking about the matter of art—literally, the stuff of which her collaged, culturally scenic paintings are made. The 43-year-old Nigerian-born, Los Angeles–based artist’s practice is built on a discipline of old, with “very strong rules,” down to the way a canvas is pinned. Thus, each choice she makes in terms of materials—paper instead of the customary linen, acrylic paints and colored pencils alongside oils—poses a new question about what is substantive about art.
There is also a metaphorical dimension here, particularly given the occasion of Akunyili Crosby’s latest work: the first official portrait of former president Barack Obama and first lady Michelle Obama together, one of 28 original artworks commissioned for the new Obama Presidential Center on the South Side of Chicago, which opens to the public on Juneteenth.
Akunyili Crosby’s works are technically complex and resemble conventional figurative paintings at a distance. But they are composed of dense layers of embedded images, in something like a visual archive. They incorporate photo transfers that lend objects a special gravity, the sense of “a physical thing that exists,” she says. It is one way her work brings the institutional practice of portraiture into dialogue with contemporary ideas about identity, history, and memory—motifs she has brought to bear in rendering the Obamas.
https://www.harpersbazaar.com/culture/art-books-music/a71485735/barack-michelle-obama-portrait-artist-interview-2026/
https://archive.md/xkbvJ
