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Related: Editorials & Other Articles, Issue Forums, Alliance Forums, Region ForumsSculptor of Wall Street's bull wants 'Fearless Girl' moved
NEW YORK (AP) The sculptor of Wall Street's "Charging Bull" statue on Wednesday demanded the removal of the "Fearless Girl" statue that's faced off against the bull since last month.
Arturo Di Modica said his 11-foot-tall bull is supposed to represent "freedom in the world, peace, strength, power and love" but "Fearless Girl" has turned his work's message into something negative.
"The girl is right in front doing this, 'Now I'm here, what are you going to do?'" Di Modica complained.
An attorney for Di Modica, Norman Siegel, said the 4-foot-tall bronze girl was created as part of an advertising campaign for Boston-based investment firm State Street Global Advisors and its placement opposite the bull exploits the earlier sculpture for commercial gain and negates its positive message.
Read more: http://www.heraldandnews.com/ap_news/us/sculptor-of-wall-street-s-bull-wants-fearless-girl-moved/article_52c06bdc-a52f-5f21-be38-0a7964f57716.html
ProudLib72
(17,984 posts)Simple solution.
Warpy
(111,273 posts)by a mere female.
And that, dear people, is what I strongly suspect is at the hart of his hissy fit.
WomenRising2017
(203 posts)But a young, strong female.
I have to laugh at his reaction.
You can't make this stuff up.
snooper2
(30,151 posts)LOL
Starry Messenger
(32,342 posts)Kevlar drawers on. Art law is funny.
(I like the Fearless Girl, and if I were the bull artist I'd probably make a temporary concession to public sentiment in this case.)
jberryhill
(62,444 posts)The law in the US on the right of artistic integrity is less well developed than elsewhere because it wasn't part of US law until the Berne Convention.
But, yes, a sculptor in Canada won a case involving a shopping mall which put Christmas decorations on his work.
The integrity rights are not assignable and do not go with ownership of the work.
There is a non-frivolous argument here.
There is also astounding hypocrisy at DU on the subject. Every election season we hear from recording artists who long ago signed away their licensing rights, but who object to use of their licensed works by political campaigns.
When that happens, a few DU scholars will pull out the 106A claim.
But in this situation, the artist who objects to his work being used in a political statement is full of shit because we agree with the political statement.
Starry Messenger
(32,342 posts)He also installed his piece without a permit back in the day.
He installed it a year before the law protecting art went into effect.
I'm not a lawyer, so I'm not sure how much those two things will hinder him. But yes, there are restrictions on altering public art, that people genuinely might not be aware of.
jberryhill
(62,444 posts)The later agreement with the city might be of some relevance.
But, correct me if I'm wrong... Was the Fearless Girl specifically designed to interact with and recontextualize the bull?
While everyone rips this guy a new one, I wonder how many people would feel if their best known life work were modified to make it into a symbol of something evil.
Starry Messenger
(32,342 posts)I'm a sculptor, and people messing with your work to recontextualize it is the biggest headache, if that wasn't part of your artistic intent.
People probably don't know that art has a lot of restrictions on what even a private owner of a piece can do with a work. "Remixing" without the creators' permission is not allowed.
Unfortunately this artist is going to have some heavy sledding and is going to look like the bad guy. He should have been reached out to before all this came to pass.
HoneyBadger
(2,297 posts)Someone like Christo exists to recontextualize
Starry Messenger
(32,342 posts)Apparently not so with the bull artist. Here is part of the law where he's probably within his rights:
http://www.law.harvard.edu/faculty/martin/art_law/esworthy
"Preservation legislation recognizes society's interest in preserving its architectural treasures, despite private ownership. Similarly, moral rights legislation recognizes that art ownership is not an absolute property right.
The term moral right itself comes from the French le droit moral, an 18th century French concept referring to rights of a non-economic but spiritual or personal nature, existing independently of an artist's copyright. Such rights are based on what the court in Carter v. Helmsley-Spear, Inc. explained as "a belief that an artist in the process of creation injects his spirit into the work and that the artist's personality as well as the integrity of the work, should therefore be protected and preserved."
The addition of a piece that changes the spirit of his work as he intended it, placed there without his permission, can be viewed as a violation of his rights as the creator of the original piece.
brooklynite
(94,595 posts)Doreen
(11,686 posts)to put another piece of art several feet away or does the law see it as the same?
jberryhill
(62,444 posts)This enormous sculpture of Crazy Horse is under construction (shown here next to a model):
Now, let's say that after it gets completed, I somehow acquire a plot of land next to it, and put up a billboard saying "Don't be Crazy, Take Exit 43, for JimBob's Souixvenirs" and I position it so that Crazy Horse is pointing right at it.
Is there a problem?
Doreen
(11,686 posts)The difference is that a billboard is not art and would look gaudy. The little girl is true art and she is not pointing at the bull. If the bull was my art I would be proud to have the girl there because of the meaning behind it and face it people my be coming to see the girl but they will be seeing my art also. I think that the girl enhances the bull. But of course that is just my opinion.
brooklynite
(94,595 posts)Warpy
(111,273 posts)The only difference is that "Fearless Girl's" permit is actually current.
oasis
(49,389 posts)Me.
(35,454 posts)Warpy
(111,273 posts)She's got even more right to be there, her temporary permit is current.
She's also a much better sculpture, IMO.
PoliticAverse
(26,366 posts)HoneyBadger
(2,297 posts)Put a moustache on the Mona Lisa
TeamPooka
(24,229 posts)then paid to hang it next to the Mona Lisa?
That is more like what this situation is.
JHan
(10,173 posts)In private exhibitions, ridiculous attention is paid to how art is viewed and positioned. No corporation can do what you describe in those circumstances, it's not possible. Di Modica's art is in a public space, where all you need is a permit - and in his case he didn't bother to get one originally..
TeamPooka
(24,229 posts)She is a corporation appropriating a civil rights movement for marketing purposes.
It is also derivative as art goes if it can only stand there against the Bull.
I like the idea of moving it to face the Stock Exchange.
Let it stand on its own, not in the shadow of another piece of art.
flamingdem
(39,313 posts)The commentary is sullied by it being a corporate symbol
Warren DeMontague
(80,708 posts)WinkyDink
(51,311 posts)VOX
(22,976 posts)In what universe? Total bull****.
jberryhill
(62,444 posts)LeftInTX
(25,372 posts)nikibatts
(2,198 posts)MontanaMama
(23,322 posts)Peace and love? That's a stretch. I'm with the commenter above that wonders about Featless Girl being a girl being the problem. Bullies don't like upity women, generally.
TheBlackAdder
(28,208 posts).
.
WinkyDink
(51,311 posts)AgadorSparticus
(7,963 posts)Pathetic.....
petronius
(26,602 posts)a kiosk renting VR goggles, allowing people to experience the space with Bull only, Girl only, both, or neither. Or a bear, or a dinosaur. Problem solved!
Iggo
(47,558 posts)WinkyDink
(51,311 posts)JHan
(10,173 posts)and I'm revisiting this thread because of this awesome pic of Senator Warren:
Link to tweet
I think living artists should get a say in how their art is depicted and in this case the girl changes the original context of the bull but the bull itself has changed in meaning. It once represented strength and resilience but is now a symbol of capitalist aggression . Di Modica had no control over the changed meaning of his art, as he has no control over the public space he chose to exhibit.
The only body with a measure of control is the government through permits. The problem here is that Di Modica seems to think it is art that gives public spaces meaning, when it is people who give public spaces meaning. He just needs to live with that fact - in a private exhibition he would have a case, but not in the public space.