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Music Appreciation
Related: About this forumBlow Up - 1966 - Yardbirds - Jimmy Page & Jeff Beck
A clip from the movie Blow-up. Great movie if you get a chance to see it.
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Blow Up - 1966 - Yardbirds - Jimmy Page & Jeff Beck (Original Post)
jalan48
Mar 2022
OP
pandr32
(11,581 posts)1. So that's where smashing guitars started!
highplainsdem
(48,972 posts)2. Thanks for posting this! And yes, "Blow-Up" was a great movie!
Last edited Wed Mar 9, 2022, 09:08 AM - Edit history (2)
David Hemmings, Vanessa Redgrave, mod London, fashion, and rock'n'roll.
That's '60s supermodel Veruschka there in the trailer (seen first at 10 seconds in).
https://www.thecut.com/2014/09/see-glorious-images-of-veruschka-in-blow-up.htmly
Editing to add an excerpt from Wikipedia about fashion photographer David Bailey, which will help explain the film:
https://en.wikipedia.org/wiki/David_Bailey
Along with Terence Donovan and Brian Duffy, Bailey captured and helped create the 'Swinging London' of the 1960s: a culture of fashion and celebrity chic. The three photographers socialised with actors, musicians and royalty, and found themselves elevated to celebrity status. Together, they were the first real celebrity photographers, named by Norman Parkinson "the Black Trinity".[8]
The film Blowup (1966), directed by Michelangelo Antonioni, depicts the life of a London fashion photographer who is played by David Hemmings, whose character was inspired by Bailey.[9] The "Swinging London" scene was aptly reflected in his Box of Pin-Ups (1964): a box of poster-prints of 1960s celebrities including Terence Stamp, The Beatles, Mick Jagger, Jean Shrimpton, P. J. Proby, Cecil Beaton, Rudolf Nureyev and East End gangsters, the Kray twins. The Box was an unusual and unique commercial release. It reflected the changing status of the photographer that one could sell a collection of prints in this way. Strong objection to the presence of the Krays by fellow photographer, Lord Snowdon, was the major reason no American edition of the "Box" was released, and that a second British edition was not issued. The record sale for a copy of 'Box of Pin-Ups' is reported as "north of £20,000".[10]
At Vogue Bailey was shooting covers within months, and, at the height of his productivity, he shot 800 pages of Vogue editorial in one year.[11] Penelope Tree, a former girlfriend, described him as "the king lion on the Savannah: incredibly attractive, with a dangerous vibe. He was the electricity, the brightest, most powerful, most talented, most energetic force at the magazine".[11]
American Vogue's creative director Grace Coddington, then a model herself, said "It was the Sixties, it was a raving time, and Bailey was unbelievably good-looking. He was everything that you wanted him to be like the Beatles but accessible and when he went on the market everyone went in. We were all killing ourselves to be his model, although he hooked up with Jean Shrimpton pretty quickly".[11]
The film Blowup (1966), directed by Michelangelo Antonioni, depicts the life of a London fashion photographer who is played by David Hemmings, whose character was inspired by Bailey.[9] The "Swinging London" scene was aptly reflected in his Box of Pin-Ups (1964): a box of poster-prints of 1960s celebrities including Terence Stamp, The Beatles, Mick Jagger, Jean Shrimpton, P. J. Proby, Cecil Beaton, Rudolf Nureyev and East End gangsters, the Kray twins. The Box was an unusual and unique commercial release. It reflected the changing status of the photographer that one could sell a collection of prints in this way. Strong objection to the presence of the Krays by fellow photographer, Lord Snowdon, was the major reason no American edition of the "Box" was released, and that a second British edition was not issued. The record sale for a copy of 'Box of Pin-Ups' is reported as "north of £20,000".[10]
At Vogue Bailey was shooting covers within months, and, at the height of his productivity, he shot 800 pages of Vogue editorial in one year.[11] Penelope Tree, a former girlfriend, described him as "the king lion on the Savannah: incredibly attractive, with a dangerous vibe. He was the electricity, the brightest, most powerful, most talented, most energetic force at the magazine".[11]
American Vogue's creative director Grace Coddington, then a model herself, said "It was the Sixties, it was a raving time, and Bailey was unbelievably good-looking. He was everything that you wanted him to be like the Beatles but accessible and when he went on the market everyone went in. We were all killing ourselves to be his model, although he hooked up with Jean Shrimpton pretty quickly".[11]
highplainsdem
(48,972 posts)3. And as long as I'm filling in background, here's a documentary on
that fashion photography scene in the Sixties:
There is a part 3, but I couldn't find it on YouTube.
jalan48
(13,860 posts)4. Thanks for this additional information. Blow Up is an "Art Film" and one of my all time favorites.