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On this day, March 11, 1939, Flaco Jimenez was born.
Last edited Fri Mar 11, 2022, 02:05 PM - Edit history (1)
Flaco Jiménez
Jiménez performing in 2012
Background information
Birth name: Leonardo Jiménez
Born: March 11, 1939 (age 83); San Antonio, Texas, U.S.
Genres: Conjunto,Norteño,Tejano,country,rock
Website: www.thetexastornados.com
Leonardo "Flaco" Jiménez (born March 11, 1939) is an American singer, songwriter and accordionist from San Antonio, Texas. He is known for playing Norteño, Tex Mex and Tejano music. Jiménez has been a solo performer and session musician, as well as a member of the Texas Tornados and Los Super Seven.
Over the course of his seven-decade career, he has received numerous awards and honors, including Lifetime Achievement Awards from the Grammys, Americana Music Awards, Tejano Music Awards, and Billboard magazine.
{snip}
Jiménez performing in 2012
Background information
Birth name: Leonardo Jiménez
Born: March 11, 1939 (age 83); San Antonio, Texas, U.S.
Genres: Conjunto,Norteño,Tejano,country,rock
Website: www.thetexastornados.com
Leonardo "Flaco" Jiménez (born March 11, 1939) is an American singer, songwriter and accordionist from San Antonio, Texas. He is known for playing Norteño, Tex Mex and Tejano music. Jiménez has been a solo performer and session musician, as well as a member of the Texas Tornados and Los Super Seven.
Over the course of his seven-decade career, he has received numerous awards and honors, including Lifetime Achievement Awards from the Grammys, Americana Music Awards, Tejano Music Awards, and Billboard magazine.
{snip}
Another accordion player was born on this day, Astor Piazzolla.
70th birthday greetings to Flaco Jiménez from the home of Tejano, the Netherlands:
Birthday gift for Flaco Jimenez
423,777 views Mar 9, 2009
Dwayne El Holandés
88.1K subscribers
Dwayne and Geert performing for Flaco's 70th Birthday as a gift.
423,777 views Mar 9, 2009
Dwayne El Holandés
88.1K subscribers
Dwayne and Geert performing for Flaco's 70th Birthday as a gift.
The Texas Tornados:
Texas Tornados - "She's About A Mover" [Live from Austin, TX]
Live From Austin TX
81.9K subscribers
From the Texas Tornados album 'Live from Austin, TX' available now on CD and DVD:
https://www.livefromaustintx.com/
Also available at Amazon:
CD: http://amzn.to/2rl7Q9X
DVD: http://amzn.to/2swTkQH
Digital: http://amzn.to/2t6rYOi
Live From Austin TX
81.9K subscribers
From the Texas Tornados album 'Live from Austin, TX' available now on CD and DVD:
https://www.livefromaustintx.com/
Also available at Amazon:
CD: http://amzn.to/2rl7Q9X
DVD: http://amzn.to/2swTkQH
Digital: http://amzn.to/2t6rYOi
Flaco Jimenez: NPR Music Tiny Desk Concert
224,091 views Nov 12, 2012
NPR Music
6.64M subscribers
by FELIX CONTRERAS
Watching Flaco Jimenez play his button accordion is like looking back in time. His grandfather started playing an accordion in cantinas and family parties along the Texas/Mexican border around the late 1800s. Then Flaco's dad, Santiago Jimenez Sr., carried on the family tradition when he released his first record in 1936.
Two of the songs you hear Flaco Jimenez play in this Tiny Desk Concert are traditional German polkas; they were popular in the mid-1800s as German immigrants settled in Texas before it became part of the U.S. almost 20 years later. Over time, the two-step stayed the same, but the German lyrics were replaced by the Mexican storytelling song form known as corridos.
But Jimenez is no dusty relic; he's very much of the here and now. For almost six decades, he's carried on those traditions and taken them to places neither his grandfather nor his father could ever imagine. He's played with The Rolling Stones, Bob Dylan, Dr. John, Los Lobos, Willie Nelson and Ry Cooder; he's toured the world and won Grammys. He's become a symbol of ethnic pride among Mexican-Americans for not only preserving the conjunto sound, but also moving it forward.
Listen closely to this recording: I think the secret to Jimenez's longevity lies in the short bursts of improvisation in between verses he shares with bajo sexto player Max Baca, of the Grammy-winning band Los Texmaniacs. (The two have an album due out in the spring.) The notes seem to spin and strut just as the dancers do in the serious conjunto dance halls. There's a stutter here, a jazz-like riff there, and when he extends the notes and holds them playfully, I recall my own mother teaching me to spin her in a tight pirouette at family weddings and quinceñeras.
Jimenez was able to perform a Tiny Desk Concert because he had traveled to Washington, D.C., from his home in San Antonio to receive a Heritage Fellowship awarded by the National Endowment of the Arts. He was being honored for carrying on what his grandfather and so many other conjunto musicians have been doing for more than a century: getting people on the dance floor with an accordion and a song.
Set List
"Margarita"
"La Paloma"
"Cada Vez Que Cae La Tarde"
Credits
Producer: Felix Contreras; Editor: Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Christopher Parks, Ryan Smith; photo by Lauren Rock/NPR
224,091 views Nov 12, 2012
NPR Music
6.64M subscribers
by FELIX CONTRERAS
Watching Flaco Jimenez play his button accordion is like looking back in time. His grandfather started playing an accordion in cantinas and family parties along the Texas/Mexican border around the late 1800s. Then Flaco's dad, Santiago Jimenez Sr., carried on the family tradition when he released his first record in 1936.
Two of the songs you hear Flaco Jimenez play in this Tiny Desk Concert are traditional German polkas; they were popular in the mid-1800s as German immigrants settled in Texas before it became part of the U.S. almost 20 years later. Over time, the two-step stayed the same, but the German lyrics were replaced by the Mexican storytelling song form known as corridos.
But Jimenez is no dusty relic; he's very much of the here and now. For almost six decades, he's carried on those traditions and taken them to places neither his grandfather nor his father could ever imagine. He's played with The Rolling Stones, Bob Dylan, Dr. John, Los Lobos, Willie Nelson and Ry Cooder; he's toured the world and won Grammys. He's become a symbol of ethnic pride among Mexican-Americans for not only preserving the conjunto sound, but also moving it forward.
Listen closely to this recording: I think the secret to Jimenez's longevity lies in the short bursts of improvisation in between verses he shares with bajo sexto player Max Baca, of the Grammy-winning band Los Texmaniacs. (The two have an album due out in the spring.) The notes seem to spin and strut just as the dancers do in the serious conjunto dance halls. There's a stutter here, a jazz-like riff there, and when he extends the notes and holds them playfully, I recall my own mother teaching me to spin her in a tight pirouette at family weddings and quinceñeras.
Jimenez was able to perform a Tiny Desk Concert because he had traveled to Washington, D.C., from his home in San Antonio to receive a Heritage Fellowship awarded by the National Endowment of the Arts. He was being honored for carrying on what his grandfather and so many other conjunto musicians have been doing for more than a century: getting people on the dance floor with an accordion and a song.
Set List
"Margarita"
"La Paloma"
"Cada Vez Que Cae La Tarde"
Credits
Producer: Felix Contreras; Editor: Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Christopher Parks, Ryan Smith; photo by Lauren Rock/NPR