By Greg Mitchell
Published: August 01, 2005 10:00 PM ET
NEW YORK In the weeks following the atomic attacks on Japan almost 60 years ago, and then for decades afterward, the United States engaged in a nearly airtight suppression of all film shot in Hiroshima and Nagasaki after the bombings. This included footage shot by U.S. military crews and Japanese newsreel teams. In addition, for several years, all but a handful of newspaper photographs were seized or prohibited.
The public did not see any of the newsreel footage for 25 years, and the U.S. military film remained hidden for nearly four decades. The full story of this atomic cover-up can be told fully for the first time today at E&P Online, as the 60th anniversary of the atomic bombings approaches later this week.
Six weeks ago, E&P broke the story that articles written by famed Chicago Daily News war correspondent George Weller about the effects of the atomic bomb dropped on Nagasaki were finally published, in Japan, almost six decades after they had been spiked by U.S. officials. This drew national attention, but suppressing film footage shot in Hiroshima and Nagasaki was even more significant, as this country rushed into the nuclear age without its citizens having a full understanding of the effects of the bomb on human beings, nor why the attacks on the two cities drew condemnation around the world.
As editor of Nuclear Times magazine in the 1980s, I met Herbert Sussan, one of the members of the U.S. military film crew, and Erik Barnouw, the famed documentarian who first showed some of the Japanese footage on American TV in 1970. In fact, that newsreel footage might have disappeared forever if the Japanese filmmakers had not hidden one print from the Americans in a ceiling. <snip>
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