A view through the long lensGordon Parks, at 92, works to live and lives to keep on doing the work he loves BY MARTIN C. EVANS
STAFF WRITER
March 29, 2005
The flotsam of a life lived past 90 cluttered the wooden table in photographer Gordon Parks' mid-Manhattan living room overlooking the East River - proofs for a new collection of his poems, a vintage Nikon, pastel crayons he snatched at while working on a drawing.
Nearby, a book cracked to his 1949 photograph of a young Ingrid Bergman showed the meteoric success of his early career. Near that, multicolored pills, sorted by the days of the week, hinted at his advancing years.
Parks, 92, who is to photojournalism what Jackie Robinson was to baseball, is in a self-described race against time, determined to lengthen a creative life that had already seen him shoot 15 covers for Life magazine, direct the groundbreaking movie "Shaft," co-found Essence Magazine, write more than a dozen books and influence such prominent photojournalists as former Ebony magazine photographer Moneta Sleet Jr. and Smithsonian curator Deborah Willis.
He's still in the picture