These both struck me as interesting takes on the same topic
Jay-Z, Cristal and SobrietyBy Jabari Asim
Sunday, July 9, 2006; 6:42 PM
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Jay-Z got his rhymes in a twist when the maker of Cristal appeared to diss the rapper and his fellow revelers in hip-hop high life. In an interview with the Economist magazine, Frederic Rouzaud, managing director of Champagne Louis Roederer, implied that the blingosphere's appetite for the Cristal brand was less than desirable. He said with apparent resignation, "we can't forbid people from buying it."
No, but you can discourage them from doing so, and that's exactly what Jay-Z aims to do. He has suggested that a consumer boycott is in order.
Boycott. Now that's a word you don't hear so often these days. Hard for me to encounter it without thinking of Rosa Parks and brave Alabamans walking and carpooling their way to justice. But I suppose it applies just as well to millionaires whose sensibilities have been offended. A bottle of Cristal, it should be noted, can go for $300 or more. That's a lot of bus fare.
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Seriously, though, I'm not mad at Jay-Z for expressing his displeasure. Just as with women and others who have taken offense at his sexist, misogynist lyrics, he has a right to be peeved by what he sees as disrespectful treatment. But there are far bigger alcohol-related problems among the urban population that helps keep his tunes at the top of the charts, and he would probably be quick to agree.
For instance, while Cristal seems hesitant to embrace young black consumers, the makers of malt liquor are more than eager to establish a relationship. They are among the alcohol manufacturers who target African-American youth, according to a new study by the Center on Alcohol Marketing and Youth (CAMY) at Georgetown University. The analysis, an update of an earlier study, found that alcohol ads on radio and television and in magazines in 2003 and 2004 reached more African-American youth ages 12 to 20 than youth in general on a per capita basis.
The study says that the ads appeared on all of the 15 television programs most popular among African-American youth. That group was also targeted for 30 percent more magazine alcohol advertising than were youth in general during the period covered by the study. Alcohol is the drug most commonly used by both African-American youth and adults, a fact that cannot be blamed entirely on predatory advertisers. We also have to acknowledge the influence of the music that made Jay-Z famous. In a study of 1,000 popular songs from 1996 and 1997, for example, 47 percent of rap tunes mentioned alcohol, far more than songs from any other genre. Add those influences to the myriad billboards dotting urban communities and the adults staggering beneath them and you wind up with a significant problem. The CAMY study notes that the age-adjusted death rate from alcohol-induced causes for blacks is 10 percent higher than that for the general population.
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The Hip-Hop Community Got its Wake-Up Call on Endorsing Those Who Dis Them Date: Friday, July 07, 2006
By: Judge Greg Mathis, Special to BlackAmericaWeb.com
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Hip-hop music and culture has, both formally and informally, pushed a variety of products over the years. Cadillac, Adidas -- you name it, and an artist has mentioned it in a song. And those lucky corporations profit greatly. After all, hip-hop is consumed all over the world, and many -- including young, white suburbanites -- learn everything there is to know about urban culture by listening to the music and watching the videos. If Sean “P. Diddy” Combs says “Pass the Courvoisier,” chances are millions will do just that.
Until now, mainstream rappers haven’t paid much attention to the impact their words have. Sure, Common and others are mindful of the images they project, but they are the exception. With Jay-Z calling for a boycott of Cristal, it seems hip-hop is poised to move away from the brash materialism that has become its calling card.
In the 1980s, rap music moved from the fringes to the mainstream. As the popularity of groups such as Public Enemy and Boogie Down Productions grew, the music ceased to be just about parties and good times and became highly politicized. With the rise of political rap came the introduction of gangsta rap, which depicted the performers' inner-city reality of violence and drugs. Gangsta rap gave way to the West Coast vs. East Coast drama that dominated the music through much of the 1990s.
Fast forward to present day, and rap music has many sub-genres: political, gangsta, party and everything in-between. Despite the variety in the music, it seems these multi-billion dollar corporations -- the record labels, the beer and shoe companies, etc. -- only take an interest in the music that negatively reflects upon urban culture. So, when the big corporations go looking for pitchmen, they tend to stick with the rappers that have “street cred” -- rappers who, for all their immense talent, are spreading images that are detrimental to the very communities they come from.
Jay-Z has street cred. And he has talent. With his Cristal boycott, he is ushering in a new era in hip-hop culture: that of conscious consumerism. Let’s hope more rappers take his lead. They can begin by researching the corporate philosophies of the companies they sing about before they expose the brand to millions of listeners. By knowing just what they’re pitching, these artists will be setting a positive example for their many young fans.