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St. Louis music scene won't be the same without Oliver Sain

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SaintLouisBlues Donating Member (755 posts) Send PM | Profile | Ignore Sat Nov-01-03 10:42 AM
Original message
St. Louis music scene won't be the same without Oliver Sain
When Oliver Sain headed from Chicago to St. Louis in 1959 at the request of his buddy Little Milton Campbell, he was only supposed to be in the city for a weekend, filling in for Campbell's ailing saxophonist. But Sain never left. Instead, he adopted St. Louis as his new home.

-snip-

Some of St. Louis' music legends - Miles Davis, Chuck Berry, Ike Turner - are widely heralded. Sain's contributions won't draw comparable attention nationally, but he was no less of a musical gem. He wasn't a star in the traditional sense - recognized on the street by the wider public - but he contributed many sparkling moments under the spotlight, and his talents were large and varied. Many knew Sain was a sizzler with a saxophone, as his Thursday-night gig at BB's demonstrated weekly. But he was equally adept as a keyboardist, a bandleader, producer, arranger and writer.

Many might remember Sain for songs such as "Bus Stop," "Party Hearty," "Soul of a Man," "Feel Like Dancing" and "Booty Bumpin" - the latter a song whose title sounds as if it might have been recorded today. In fact, Sain's work remained relevant to contemporary artists. Puff Daddy (now P. Diddy), for example, sampled his "On the Hill" on the cut "Young G's" from the 1997 CD "No Way Out" (a use that Sain has said paid him handsomely).

http://tinyurl.com/t935

Oliver Sain has died at the age of 71.

The great Delta Bluesman are dying out. I suggest getting to
Chicago, St. Louis, Memphis or New Orleans before they are all
gone. I see quite a few European tourists at St. Louis shows,
who've come specifically for the Blues scene here. I don't run into very many US tourists.
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Tuttle Donating Member (919 posts) Send PM | Profile | Ignore Sat Nov-01-03 11:12 AM
Response to Original message
1. You're absolutely right...
the Europeans are much more tuned in to what really has staying power in regional American music while we are capitivated by Ben and Jen: we rented Standing in the Shadows last weekend and it was very interesting to see the guys behind all of the Motown sounds... perhaps Sain was about the same, in St Louis.

Tut-tut
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stlsaxman Donating Member (1000+ posts) Send PM | Profile | Ignore Sat Nov-01-03 11:58 AM
Response to Original message
2. Oliver Sain gave my first band free run of his studio back in the '70's...
We had written a few songs and wanted to release a single. Gave Archway
Studios a call and Oliver welcomed this bunch of white "art rock" kids with
open arms. It was our first experience in a multitrack recording studio and we
just went haywire! He had two Hammond B3 organs, a vibrophone, marimba,
piano and an assortment of saxes that he let us use. It was the first time I ever
played a baritone sax and he gave me some quick tips to make it sound good.
Whenever there was a buzz or hum coming from the studio monitors- he would
go for a ball-ping hammer and gently tap the mixer or effects rack in just the
right place and the noise was gone! When we went to flip the multitrack tape
over to do backward tracks he said he had never done it before but instead of
freakin' he helped us to figure it out. A truely beautiful man.

I love him and his music and will miss him greatly. Thursday nights at BB's
Jazz, Blues And Soups were always a great time.

Thank you Oliver Sain, for all your wonderful works.
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TahitiNut Donating Member (1000+ posts) Send PM | Profile | Ignore Sat Nov-01-03 12:42 PM
Response to Original message
3. Not LBN
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