"Political documentaries are becoming very, very important," Cinema Libre founder Philippe Diaz says. "People will tell you that five or 10 years ago, they never would have thought to go to a documentary in the theater, but because now they are so disenfranchised by what they see on TV in terms of news, they go to theaters to see a movie."
"Uncovered" is only one of the political docus on Cinema Libre's slate. Exact dates have not yet been determined, but the feature-length "The Oil Factor Behind the War on Terror" is slated tentatively for an October release in the United States, and the 57-minute "Unprecedented: The 2004 Election" could begin a theatrical run by year's end.
As business practice, indie distributors are profiting from these types of documentaries. 2003 was a windfall year for docus of all stripes: In addition to "Bowling," Magnolia's "Capturing the Friedmans" earned $3.1 million at the domestic boxoffice, and ThinkFilm's "Spellbound" earned $5.7 million. Sony Pictures Classics' "The Fog of War: Eleven Lessons From the Life of Robert S. McNamara," which went on to claim the Oscar for best feature documentary, earned $4.2 million domestically.
More recently, Magnolia has found success with Jehane Noujaim's "Control Room," which opened in limited release May 21 after screening at this year's Sundance Film Festival. The movie, which offers a behind-the-scenes look at Arab TV news channel Al Jazeera, has received considerable critical acclaim and earned about $654,000 at the domestic boxoffice.
In addition, Regent's "The Hunting of the President: The Ten-Year Campaign to Destroy Bill Clinton," based on the book by Gene Lyons and Joe Conason, was released June 18 to an opening-weekend gross of $23,298 from only two theaters.
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