Chances are you’ve never heard of Sinclair Broadcast Group. Sure, it might be the largest independent owner of television stations in America, an empire of sixty channels spread across thirty-seven cities with a signal that reaches nearly a quarter of the TV-watching public, but even if you happen to receive that signal and watch it every night, getting your Sinclair news and Sinclair weather and Sinclair commentary from a Sinclair station, chances are you’ve still never heard of Sinclair and have no idea you’re watching it. You won’t see the word Sinclair on your screen, and you’ll probably just think you’re watching ABC or CBS or NBC, whichever network you thought you tuned in. Right there on the screen, you’ll see the old familiar logo—a peacock, an eye, the ABC bubble—and the anchors will look the same as ever, and the fact that the station has been purchased by Sinclair will be no more apparent than the fact that twenty or thirty minutes into the program, the real news will suddenly fade to black and Sinclair’s news will take over. It may be a glowing interview with a defense contractor or a fiery commentary on the evils of the French, something brief and punchy lasting two or ten or fourteen minutes, then slipping back into the regular news as quietly as it came. Not so much as a blip or a bleep to let you know that what you just witnessed was not the local NBC or CBS broadcast but just a little insert from the guys who own the station. That’s the goal at Sinclair: to be seen without being seen.
“Propaganda always works better if it seems not to be propaganda—if it seems to be entertainment, or if it seems to be news,” says Mark Crispin Miller, a professor of culture and communication at New York University. “These people want to dominate the public sphere, but they don’t want us to know that.”
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