From today's Washington Post, a favorable review of Moore's new movie:
http://www.washingtonpost.com/wp-dyn/articles/A34917-2004May17.html "Fahrenheit 9/11," Michael Moore's most powerful film since "Roger & Me," slices and dices President Bush's presidency into a thousand satirical pieces. It's a wonder the chief executive -- at least, the one portrayed in this movie -- doesn't scatter to the four winds like Texas dust.
Judging by the spirited pandemonium that has greeted this documentary at the Cannes Film Festival, "Fahrenheit 9/11" not only is the film to beat in the competition for the Golden Palm, it also has the makings of a cultural juggernaut -- a film for these troubling times.
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In one of the film's most dramatic moments, we watch the president attending an elementary school class on that ill-fated morning of Sept. 11. An aide whispers to him news of the plane crash into the North Tower of the World Trade Center. The look on Bush's face is stunned, as any person's would be. A clock ticks away. The president looks as though he'll never get up from that seat. The minutes tick by.
"Was he wondering if he should have shown up to work more often?" Moore says in voice-over, this comment connecting with glimpses earlier in the movie of Bush's frequent stays in Texas to clear brush and play golf. The president stares at the children's book he's holding. It's called "My Pet Goat."
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But there's more to "Fahrenheit 9/11" than partisan ridicule. Just before that scene, we have confronted the unspeakable: When those two planes hit the twin towers in Manhattan. Moore shows only a black screen. We hear the buzzing of the aircraft. We know what's coming. We hear the impact and, a second later, the agonized cries and gasps of the witnesses. . . .