I've seen this series twice and anyone interested in this subject should check it out.
The below is from the liner notes on the DVD release, and following is a link to a review of the series.
Your Texas Editor.
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THE MEN WHO KILLED KENNEDY
The Coup d'Etat - A medical technician casts doubts on the official autopsy photographs, and photo analysis undermines the lone gunman theory.
The Forces of Darkness - See two shadowy figures on the grassy knoll, and find out about the "lost" home movie that contained key evidence.
The Cover-Up - An FBI agent confirms that evidence has been suppressed, and a notorious criminal is confronted about his possible role.
The Patsy - Witness Oswald's reaction when charged with the shooting, and the mortician who buried the alleged assassin reveals what he discovered 18 years later.
The Witnesses - The people who were there - but who the government chose to ignore - tell their versions of what happened at Dealey Plaza.
The Truth Shall Set You Free - See conclusive proof that the official autopsy photos were faked, and hear from an Army Colonel who says he was trained to eliminate witnesses to the assassination.
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http://www.geocities.com/mdmorrissey/menwho1.htmReview of The Men Who Killed Kennedy
The Men Who Killed Kennedy is a British (ITV) documentary film directed by Nigel Turner. I wrote this shortly after I interviewed Turner in London in March 1989. Turner's film was finally broadcast in the US in September 1991 on A&E cable, just a couple of months before Stone's JFK opened.
In view of the lukewarm reception given to several television documentaries last November on the assassination of President Kennedy, it is astonishing that the best film on the subject has not been shown in the United States. "The Men Who Killed Kennedy," produced by Nigel Turner for British Central Independent Television, was broadcast in England on October 25, 1988, and subsequently in thirty other countries by Christmas--but not in the United States.
What this film, nominated for best documentary by the British Association of Film and Television Arts, reveals about the Kennedy assassination and its aftermath is so spectacular that it is unconscionable to ignore it. It presents key evidence and testimony made public for the first time in 25 years, including an eyewitness who was standing on the grassy knoll, probably a few feet away from the gunman who fired the fatal head shot. The most spectacular revelation, based on the research of American writer Steve Rivele, is nothing less than the names of the probable gunmen (none of whom was Lee Harvey Oswald).
These findings are the result of years of painstaking research, presented soberly and without melodrama. If it smacks of sensationalism, it is only because anything hinting at the truth in this case must sound sensational. If the government has colluded with the press for over 25 years in propagating a fictitious account of what happened in Dallas, which unfortunately seems to be the case, how could the truth sound anything other than sensational?
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