Something Roman coming up that sounds great.
The Rise Of 'Rome'
HBO's new TV series wasn't built in a day.
By Dana Thomas
Newsweek International
~snip~
With its astounding $100 million budget, cast of relative unknowns and multinational production team, "Rome" is breaking the rules of television, too. The onslaught of digital and Web television has caused a steep decline in viewership for networks and major cable channels all over the world. "Television is spread out across so many channels now that it is getting more difficult to get people to tune in to a regular weekly series," says Adrian Edwards, consultant for DGA Metrics, a media-research company in London. "Because of that, there is a movement toward big-event programming—shows that get a lot of hype which draws audiences to tune in."
"Rome" should be a good lure. When writers Bill MacDonald and John Milius first proposed the story—about two soldiers in Caesar's 13th legion, Lucius VorenusandTitus Pullo—as a mini-series to HBO back in 1998, the pay-cable network's executives immediately saw a larger potential: they commissioned the first 12 episodes as well as an outline for a possible five-year run. Eventually the BBC and Italy's RAI joined in, recognizing the project's global appeal. The one-hour weekly series is scheduled to air on HBO in the United States in early fall and on the BBC a few weeks later; other markets—including Italy, France, Germany and Australia—will follow. Like HBO's other high-profile series "The Sopranos," "Sex and the City" and "Deadwood," "Rome" pushes the limits of violence, profanity and nudity. "It's very elemental—a lot of fire and flesh," says British hunk Ray Stevenson ("King Arthur"), who plays Pullo. "Just like Rome."
Once greenlighted, the production went into high gear. HBO chose to film at Cinecitta because, as Doelger explains, "the quality of light in Rome is extraordinary; they have such brilliant craftsmen here and the extras have such great Roman faces and a boundless enthusiasm." The rest of the cast is primarily British, most from theater or television; the directors are mainly Americans and Europeans culled from the HBO stable. Renowned film costumer April Ferry went to India for 10 days and returned to Cinecitta with reams of silk, linen and cotton, which she and her team fashioned into a staggering 3,000 costumes, ranging from the shredded rags of the poor to Cleopatra's layered chiffon royal robes. Set construction began in November, took four months and cost $11 million—far beyond any ordinary television budget. With the directors doing complicated multiple-camera shots with 35mm movie cameras instead of the usual television videocams, "Rome" is "a one-hour movie that appears on television once a week," says Stevenson. "The only difference between this and a movie is, we do the complicated shots in three days instead of two weeks."
~snip~
http://msnbc.msn.com/id/7296366/site/newsweek/