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Edited on Tue Nov-07-06 12:14 PM by BigMcLargehuge
(Got one from Soho press on Sunday via my agent).
Speaking as a man who makes his living writing non-fiction (technical training courses), and makes his sanity writing fiction (six short story sales in the last 12 months), there's damn little dignity in it. So if you are looking for professional respect or something from writing, especially fiction, forget it. Fiction isn't working can mean a whole mess of things:
You aren't finishing any stories you start You are procrastinating and feeling guilty about it (a common writer's ailment often soothed with ice cream and monster movies at my house) You hate everything you type You love everything you type, but reread it later and want to rip out your own eyes Nothing you send out gets accepted at the major markets you've targetted Nothing you send out gets accepted even at places like 2-bit webzines where the pay is "exposure" (and often, poorly formatted HTML).
I'll address each of these, then try and offer a tip that keeps me writing, submitting, and writing some more.
You aren't finishing any stories you start
Sounds like a problem with focus, i.e. one idea germinates while you're actively working on a different story, thus, you start on the new idea and let the other one die. Solution, work on both. Write the first one until you know you can leave it (mid sentence helps me) and work on the other one until you hit a wall, get bored, decide the idea sucks, or want to work on the first one again. This can take months, but in the end you have a couple of stories for your effort.
You are procrastinating and feeling guilty about it
Solution - Don't feel guilty. You write because you have to, because you want to, but not because you're obligated to.
You hate everything you type
Happens to all of us. Sometimes 20 or 30 (or 100) thousand words in. Solution 1- Scrap it, but save the manuscript to pirate from for other stories. Solution 2 - rewrite it from a different perspective, change tense, POV and see if you can make it work. If the idea is good enough you can pull a story together out of it but it might be entirely different than when you started.
You love everything you type, but reread it later and want to rip out your own eyes
Solution 1 - Give it to someone (or a group) you know who can be trusted to tell you a manuscript sucks if it sucks and make them read it. if it sucks, laugh along with them. If they find things in it that don't suck, re-evaulate those parts and consider editing it. Solution 2 - Put the manuscript in a drawer for a couple of months then reread it. Sometimes putting a "bad" story awayfor a while makes it better.
Nothing you send out gets accepted at the major markets you've targetted
Eat a half gallon of chocolate ice cream or a bucket of Kentucky Fried Chicken or a large Pizza, watch a favorite movie, soothe your ego for a couple of days. Then send it out again to a different magazine. Form rejection letters are a dime a dozen. Catalog your favorites, mine was a post it note from The Magazine of Fantasy and Science Fiction stuck to my title page that said "sorry, out of forms". Ignore the "no simultaneous submissions" guidelines and submit to multiple markets at one time. You should be so lucky to have two mags offering on a piece.
Nothing you send out gets accepted even at places like 2-bit webzines where the pay is "exposure" (and often, poorly formatted HTML). Research your markets better. Some editors of these places have nothing better to do than lambaste a submission they reject. Fuck em. Check places like Predators and Editors and Ralan.com for up-to-date listings.
Other more overall solutions could be joining a writer's group, if you end up with a bunch of good people (i.e. people who will tell you when something sucks, and people who show up for each meeting with new writing) having a monthly or biweekly deadline could make you force finished output even in first draft form. That's good as each finished piece helps you hone your craft. If you find a group that gladhandles members and doesn't actively write or help with market research, avoid them. They aren't writers. I've been in three like the later, and none like the former. Thus, I am biased against writer's groups, but that's just me.
I don't know how your writing schedule works, but mine is fluid. I tend to write most on weekends when I can put a couple of afternoon hours into a project. I also work at night after the family goes to bed, but I do that less often now as I am easly distracted by TV when I have that kind of down time. At any given moment I have five or six short stories in production and work through them as I feel like it. Currently I am working on -
Shorts -
Union Dues: The Better Mousetrap (three different versions from three different POVs because I can't make up my mind which one sucks least) Union Dues: The First Five Union Dues: The Best Years Union Dues: All That We Leave Behind Burden of Bushido 4: Ronin in the Lost City of Ankor Uthan of the Valley and the Daughters of Kwacha
Novellas -
Zacha (an ersatz Zatoichi story set in present day and featuring a blind former Russian hitman) Dougboys - An alternate history story for young adults in which the US doesn't intercept the Zimmerman Telegram, Mexico invades Texas in 1917, and Quentin Roosevelt is chosen to lead a new squadron of American pilots against the Red Baron and his aces from Jasta 11.
Novels - Tears of Amaterasu 2: 731. A sequel to my Tears of Amaterasu novel about the 1937 Rape of Nanking.
I could wallpaper my office with rejection letters. It's no big deal and isn't a reflection on me as a person or a writer or even a reflection on the editor. Sometimes the market was wrong, sometimes the story was lousy (as time as proven). But I've had successes too.
My first professional sale, Union Dues: Iron Bars and the Glass Jaw was originally written in 1995, retyped (because all I has was hard copy from my old typewriter), submitted in 2005 and was published in November of last year. Since then I've sold three more Union Dues stories to the same editor, an unrelated story to that editor, my first piece of Flash fiction to Flashquake, and my first "swashbuckling historical" to Flashing Swords.
All within the last 12 months. Sounds great right?
How long have I been writing and submitting? 17 years. How much have I earned from all of these stories? About 200 bucks.
Just keep at it. If you're going to write, then write. If you are going to submit, then submit.
Robert Heinlein said - Send off every story as if it was the best thing ever authored by a human being, receive the reply as if your story was the worst piece of shit ever authored by a human being.
Harlan Ellison said - Writing is not like a series of gentle nudges and encouragment, but like a series of sharp kicks in the teeth.
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