More About The Gay Life
Album Details
Release Date: 02/22/2005
Label: DRG
Catalog No.: 19069
UPC: 021471906929
Sales Rank: 126,324
Track List
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The Gay Life
1 Overture 3:43
2 What a Charming Couple 2:07
3 Why Go Anywhere at All? / Jeanne Bal 2:11
4 Bring Your Darling Daughter / Jules Munshin 2:36
5 Now I'm Ready for a Frau / Jules Munshin 2:24
6 Magic Moment / Barbara Cook 4:06
7 Who Can? You Can! / Barbara Cook 2:09
8 Oh, Mein Liebchen 1:41
9 The Label on the Bottle / Barbara Cook 2:27
10 This Kind of a Girl / Barbara Cook 3:25
11 The Bloom Is Off the Rose / Jules Munshin 2:59
12 I'm Glad I'm Single / Jules Munshin 1:41
13 Something You Never Had Before / Barbara Cook 4:26
14 You Will Never Be Lonely / Jules Munshin 1:23
15 You're Not the Type / Barbara Cook 2:04
16 Come A-Wandering With Me / Elizabeth Allen 2:17
17 I Never Had a Chance / Jules Munshin 2:41
18 I Wouldn't Marry You / Barbara Cook 1:10
19 For the First Time / Walter Chiari 1:24
20 Finale 1:01
Reviews
All Music Guide
The 1961 Broadway musical The Gay Life was a failure, running only 113 performances and losing its entire investment. The reasons for that failure have been ascribed to the show's book, set in turn-of-the-century Vienna, concerning the last bachelor days of a womanizer, and to the casting of Walter Chiari in the leading role. But no one has blamed the score, which represented the reunion of composer Arthur Schwartz and lyricist Howard Dietz after 13 years. While no hits emerged from that score, it did boast several memorable songs, among them the ballads "Magic Moment" and "Something You Never Had Before," and the up-tempo gypsy number "Come A-Wandering With Me." Both of those ballads were sung by the cast's chief asset, Barbara Cook, in the role of the bride who finally ends the main character's philandering. But those are only the high points in a collection of songs that is consistently impressive. Schwartz and Dietz were better known for contemporary revues than for period book musicals, but the composer proved himself the equal of Richard Rodgers and Frederick Loewe in writing melodic waltzes, and the lyricist showed that his witty wordplay could work anywhere. The show's flaws are apparent on the cast recording, however, particularly when Chiari opens his mouth; his accent is so strong that it is sometimes difficult to make out the lyrics. But all is forgiven when Cook is the singer, and Elizabeth Allen, in her only number, turns "Come A-Wandering With Me" into a tour de force. The result is the kind of album likely to be appreciated more by theater music fans than the general public, though it makes the best of a musical that didn't work on-stage. ~ Matt Collar & William Ruhlmann, All Music Guide