Glenn Beck's paranoid thriller, "The Overton Window"By Steven Levingston
Washington Post Staff Writer
Tuesday, June 15, 2010
The success of Glenn Beck's novel, "The Overton Window," will be measured not by its literary value (none), or its contribution to the thriller genre (small), or the money it rakes in (considerable), but rather by the rebelliousness it incites among anti-government extremists. If the book is found tucked into the ammo boxes of self-proclaimed patriots and recited at "tea party" assemblies, then Beck will have achieved his goal.
The story line, which fictionalizes Beck's well-known paranoia about a secret Big Government plan to crush the liberties of well-meaning citizens, is an extended call to arms, a rallying cry to his angry foot soldiers long stirred by his rantings on Fox News. As the last line of the book warns, "We're everywhere. . . . The fight starts tomorrow."
=snip=
The danger of books like this is that radical readers may take the story's fiction for fact, or interpret the fiction -- which Beck encourages -- as a reflection of a reality that they must fend off by any means necessary. "The Overton Window" risks falling into the tradition of other anti-government novels such as "The Turner Diaries" by William L. Pierce, which became a handbook of extremists and inspired Timothy McVeigh to blow up the Alfred P. Murrah Federal Building in Oklahoma City in 1995. As Beck tells his soldiers in the voice of Noah: "Put up or shut up . . . go hard or go home. Freedom is the rare exception . . . not the rule, and if you want it you've got to do your part to keep it."
Full review:
http://www.washingtonpost.com/wp-dyn/content/article/2010/06/14/AR2010061405423.html