The success of Glenn Beck's novel, "The Overton Window," will be measured not by its literary value (none), or its contribution to the thriller genre (small), or the money it rakes in (considerable), but rather by the rebelliousness it incites among anti-government extremists. If the book is found tucked into the ammo boxes of self-proclaimed patriots and recited at "tea party" assemblies, then Beck will have achieved his goal.
The story line, which fictionalizes Beck's well-known paranoia about a secret Big Government plan to crush the liberties of well-meaning citizens, is an extended call to arms, a rallying cry to his angry foot soldiers long stirred by his rantings on Fox News. As the last line of the book warns,
"We're everywhere. . . . The fight starts tomorrow." -----
In a foreword, Beck notes that his thriller belongs in a category called " 'faction' -- completely fictional books with plots rooted in fact." He attaches an afterword of nearly 30 pages that contains citations to references in the story: information on the financial bailout, unemployment, measures to ensure government operation after a disaster and the like. He laces his plot with these facts in the same manner he employs them on his TV show, to lend credence to his fantasy of a nefarious government scheme to subvert the Constitution.
-----
Thrillers often are marred by laughable prose, but few have stumbled along with language as silly as this one. When Gardner's son, Noah, meets patriot Molly Ross early in the novel, Beck writes: "Something about this woman defied a traditional chick-at-a-glance inventory." It gets worse: When Noah notices that a few strands of Molly's hair have fallen out of place, Beck tells us, "these liberated chestnut curls framed a handsome face made twice as radiant by the mysteries surely waiting just behind those light green eyes."
-----
The danger of books like this is that radical readers may take the story's fiction for fact, or interpret the fiction -- which Beck encourages -- as a reflection of a reality that they must fend off by any means necessary.
"The Overton Window" risks falling into the tradition of other anti-government novels such as "The Turner Diaries" by William L. Pierce, which became a handbook of extremists and inspired Timothy McVeigh to blow up the Alfred P. Murrah Federal Building in Oklahoma City in 1995. As Beck tells his soldiers in the voice of Noah: "Put up or shut up . . . go hard or go home. Freedom is the rare exception . . . not the rule, and if you want it you've got to do your part to keep it."
http://www.washingtonpost.com/wp-dyn/content/article/2010/06/14/AR2010061405423.htmlSo, is this the new Turner Diaries to the RW whackos?