Atlas Shrugged: Part I
By PETER DEBRUGE
A monument of American literature is shaved down to a spindly toothpick of a movie in "Atlas Shrugged," a project that reportedly once caught the eye of Angelina Jolie, Faye Dunaway and Clint Eastwood. Part one of a trilogy that may never see completion, this hasty, low-budget adaptation would have Ayn Rand spinning in her grave, considering how it violates the author's philosophy by allowing opportunists to exploit another's creative achievement -- in this case, hers. Targeting roughly 200 screens, pic goes out hitched to a grassroots marketing campaign, hoping to break-even via by-popular-demand bookings and potential Tea Party support.
Rather than lose the rights to Rand's novel, producer John Aglialoro enlisted co-writer Brian Patrick O'Toole, dashed off a screenplay and rushed the project into production. Made with the permission but not the participation of the Rand estate, the result cuts corners in every respect. Rather than try to condense everything into a tight, two-hour feature, Aglialoro and fellow producer Harmon Kaslow tackle the book's first third only, hiring relatively inexperienced helmer Paul Johansson (originally tapped to play John Galt, the shadowy, trenchcoat-wearing figure seen cornering billionaires in back alleys) to deliver their vision after Stephen Polk was fired.
Imagining what might happen if the world's thought leaders suddenly went on strike, leaving the hangers-on to fend for themselves, Rand's epic undertaking actually subdivides nicely, considering the author herself organized "Atlas Shrugged" into three 10-chapter parts. This opening segment lays out a decidedly uncinematic economic scenario in which government regulators pick at the achievements of leading industrialists, citing the public's best interest, as they undermine the progress of society's most successful entrepreneurs with anti-competition and spread-the-wealth statutes.
With neither the time nor the budget to find appropriate matches to play the political and big-business titans who populate the plot, Aglialoro settled for an ensemble of unfamiliar thesps, the most recognizable of whom are character actors Michael Lerner and Jon Polito (both of "Barton Fink" fame). Rand fans have spent decades fantasy-casting the role of Dagny Taggart, the tough-as-nails railroad tycoon who serves as "Atlas Shrugged's" primary earth mover, only to see her remade as a generic business-suit Barbie, unassertively played by pretty blonde TV actress Taylor Schilling (NBC's "Mercy").
<snip>
http://www.variety.com/review/VE1117944986/