this arena.
http://www.mythopedia.info/The study of historical information about the natural world is useful in a variety of ways. It is of interest in its own right, facilitating our understanding of past cultures and their outlook on the world. This is especially felt in cases where recent discoveries concerning the plasma universe shed fresh light on historical data that had previously been inscrutable. On a deeper level, a study of historical information about the natural world also helps to clarify the nature and origin of religion as a whole. Conversely, historical sources have much to contribute to modern science, as they can complement the scientific reconstruction of the past, specifically the recent history of planet Earth.
http://www.mythopedia.info/episto.htmlIn conclusion, geophysical and plasma-physical models of earthquakes, lightning and aurorae are falsifiable exponents of hard science; our comparative analysis of traditional cosmologies and myths, partly resulting in our reconstruction of a near-universal template of creation mythology, is a falsifiable exponent of ‘soft science’; and the interdisciplinary hypothesis that many creation myths can be explained in terms of past geophysical and atmospheric events, as a theory of past events, is neither conclusively falsifiable nor conclusively verifiable, but is a historical model, of a scientific character, that must be graded relative to other theories of myth according to probability. The plasma-physical model of creation mythology and art-historical data, such as geometric petroglyphs, is simply a working hypothesis for a large set of ancient data that we consider the most convincing, the most complete and the most economic theory of the nature of traditional mythology in general.
This position is not fundamentally different from the work of archaeoastronomers who ‘reconstruct’ past observations of comets and meteor showers on the basis of textual records. In each case, the impetus to produce a ‘scientific’ model is given by historical data, including human artefacts or writings.