When the Edge Moved to the Middle
By THURSTON MOORE
Published: April 8, 2004
excerpt
"In the face of success, Kurt seemed to feel the need to maintain this stump position of punk rock credibility. Save the mainstream acceptance of the relatively straight-ahead pop of R.E.M. — which Kurt loved as much as hard-core thrash — there really was no model for such success from our community. He told Flipside, the iconic Los Angeles punk rock fanzine, that he hoped the next Nirvana album would vanquish their affiliation with the "lamestream." He recounted being taken aback by an audience member who grabbed him and advised him to, "Just go for it, man." I remember smiling at this, as it was how most of us felt. We didn't perceive Nirvana's status as lame. It was cool.
After all, the kids chose "Nevermind." Geffen Records, the band's label at the time, had no real plans for it, hoping for modest sales. Rolling Stone gave it a lukewarm review. Its subsequent off-the-map success was wonderful, fantastic and completely genuine. What was disingenuous and annoyingly misrepresentative was the reaction of the corporate music industry. The alternative rock phenomenon was a youth culture hit and it made stars out of select artists but, for the most part, it was a bunch of corn to the creative scene where Kurt came from."
more at:
http://nytimes.com/2004/04/08/opinion/08MOOR.html?hp